Published: Tuesday, July 21, 2009

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Q: You have advanced degrees in the interactive arts and visual studies. What inspired you to pursue this field? Did you have any role models?

Q: You describe your work as “examinations in meta-meaning processes.” Can you elaborate on that?

Q: Two terms you use frequently are recombinant poetics and neosentience. How do you define those terms?

Q: You are an artist and a poet and technology is central to your work. What do you see as the relationship between today’s digital technologies and the creative arts in the 21st century?

Q: Do you think technology is blurring the line between art and science?

Q: What led you to come to Duke University and what do you hope to achieve there?